Showing posts with label street photography. Show all posts
Showing posts with label street photography. Show all posts
Snaps from Sydney on E Bay
10th March 2011
My somewhat surly and wholly unkempt alter ego Andrew Stark informed me during a recent late night bout of schiziod verbosity that he has hoisted a rare copy of his 2003 book, Snaps from Sydney up on e bay to be auctioned to absolutely anyone that cares. Now despite this clearly being the photographers best work I greeted this somewhat self indulgent filament of news with a shrug of sinewy scapulas before pulling one of those 'whatever' grimaces made internationally famous by the 1943 game show ace Colonel Klink. Said book is apparently signed (I presume by the author) and the following Photofile Magazine review may enlighten the unsuspecting potential buyer (and just to the left there's an equally informative blurb on one of Bill Henson's publications).
The electronic marketplace awaits good readers, and do be sure to bring along your well swung little hessian sack, brimming to the pull-string with clinking currency - Maltese Lira, Kuwaiti Dinars, Cyprian Piastres, French Polynesian Centimes ... hell, they'll even take luke warm Aussie currency on e bay (absolutely no standards).
So for anyone with a cacophonous clinking of loose change in the side pouches of their lower covering - here's the link to visual gratification
The S.A.D. Tale of the Homogeneous Hiccup
2nd March, 2011.
From Museum corner, along the edge of Hyde Park and up past Gilligans Island ... Sydney's annual Gay & Lesbian Mardi Gras 'doofs' its way along Oxford Street again this Saturday night.
Now the last time I partook, alas only as a well clothed photographic observor, I had chunks kicked out of my chinny chin shins by a couple of 'fun loving' butch gals...
Yes, too be sure, alas, it is true, and whilst it is hard for me to talk about ... I concede I am but another faceless victim, a statistic amongst many of this wanton trend of unprovoked drifter bashing ... Strange Aussie Drifters (S.A.D.) are being routinely persecuted throughout this 'modern society' of ours, heinous hate crimes perpetrated daily in the Times New Roman name of mainstream boorishness, bigotry and banal boofiness.
When this incident is coupled a year or ten hence with the occurrence of my 'then' betrothed deciding to skip off down 'our' seemingly well sealed front path, tip toeing to a rosy tulip upon tulip arrangement ... well, as you can imagine, it was enough to send Nowhere into a bout of deep 'mancession'. The black dog of crudiness gnawing ravenously at shapely yet quite spindly ankles.
Thyme as they say however is the great healer, and I've cooked with the minty herb around the clock for many a long and subsequent year.
The old haemotomas have healed and the shattered relationship stuff is by now so deeply repressed it'd take a team of psychoanalysts in a grief seeking bathysphere to retrieve the full vastness of that icky morass.
Mardi Gras - the whole shimmering flesh fest of ultra exhibitionism is kind of fun - even for the middle aged, none too pretty, hetro observor. And you know, if I can find a pair of heavy duty shin pads before Saturday ... I might just venture out.
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| Mardi Gras. Early 1990s ... Photograph - Andrew Stark |
From Museum corner, along the edge of Hyde Park and up past Gilligans Island ... Sydney's annual Gay & Lesbian Mardi Gras 'doofs' its way along Oxford Street again this Saturday night.
Now the last time I partook, alas only as a well clothed photographic observor, I had chunks kicked out of my chinny chin shins by a couple of 'fun loving' butch gals...
Yes, too be sure, alas, it is true, and whilst it is hard for me to talk about ... I concede I am but another faceless victim, a statistic amongst many of this wanton trend of unprovoked drifter bashing ... Strange Aussie Drifters (S.A.D.) are being routinely persecuted throughout this 'modern society' of ours, heinous hate crimes perpetrated daily in the Times New Roman name of mainstream boorishness, bigotry and banal boofiness.
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| Mardi Gras. Early 1990s ... Photograph - Andrew Stark |
Thyme as they say however is the great healer, and I've cooked with the minty herb around the clock for many a long and subsequent year.
The old haemotomas have healed and the shattered relationship stuff is by now so deeply repressed it'd take a team of psychoanalysts in a grief seeking bathysphere to retrieve the full vastness of that icky morass.
Mardi Gras - the whole shimmering flesh fest of ultra exhibitionism is kind of fun - even for the middle aged, none too pretty, hetro observor. And you know, if I can find a pair of heavy duty shin pads before Saturday ... I might just venture out.
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| Mardi Gras. Early 1990s ... Photograph - Andrew Stark |
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| Mardi Gras. Early 1990s ... Photograph - Andrew Stark |
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| Mardi Gras. Early 1990s ... Photograph - Andrew Stark |
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| Mardi Gras. Early 1990s ... Photograph - Andrew Stark |
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| Mardi Gras. Early 1990s ... Photograph - Andrew Stark |
Recent Offerings #4
17th February, 2011.
As the giant, Romanesque dial high up on the Woy Woy clock tower strikes its traditionally slurred and cacophonous eleven minutes past wine o clock, I plunge my free hand deep into the kit bag of hopeful endeavour. Gnarled digits scavenge hungrily in amongst the naïve batch of ‘recent offerings’: sweat forming a picket line of nervous shimmer just above my reddish pouty bits as the futility of everything begins its stark mantra that echoes oh so familiar… “surely there was something just a little bit interesting housed in amongst these neg sleeves of not all that long ago !” …
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| Photograph - Andrew Stark |
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| Photograph - Andrew Stark |
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| Photograph - Andrew Stark |
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| Photograph - Andrew Stark |
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| Photograph - Andrew Stark |
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| Photograph - Andrew Stark |
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| Photograph - Andrew Stark |
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| Photograph - Andrew Stark |
Street Photography – Why Don’t They Like Me ?
10th January, 2011
The very youngest of my trio of spirited step children suffers from a condition known medically as, “Pervasive Development Disorder” (PDD). It’s a condition which falls into the broad autistic spectrum of disorders and most notably brings about developmental delays in both socialization and communication skills. There is very little grey in her black to white scale and as a result, a recurring motif in and around the Nowhere Man shack resonates to the reasoning …
“Sweetheart, you can’t MAKE people play with you”.
“Sweetheart, you can’t MAKE people play with you”.
And so it was just the other day, when reading through Nick Turpin’s interesting blog post, “Photography, Commerce and Success”, I found the piece eliciting an almost identical PDD response ... using a sing songy tone and a tired inflection I engaged my computer monitor with … “Street Photography, you can’t MAKE people like you”.
In a detailed and thought provoking essay, the 779 head man laments the general lack of interest shown toward street photography via the ‘art world’. Before proceeding forth to offer a kind of benign Berlin Wall solution of, stuff em, we’re all right mate; cos we’ve got each other … and Flickr.
Sorry, that’s flickr not flipper !
“ The opinion of my peers, dedicated Street Photographers internationally for whom I have enormous respect, mean’t far more than that of the photography director of Tate Modern or Moma ever could because these people are image makers in my field who are making some of the most exciting images of our era, they are the true ‘experts’ and their judgement is totally unsullied by whether or not my image will sell copiously in numbered editions” - Nick Turpin
& also
“I am delighted if Jen Beckman or Robert Kock like my work but will it be because they like my work or because they think they could shift it in editions” – Nick Turpin
Nowhere Man wholeheartedly embraces the altruistic, rank and file vibe here, however would point out that ‘I like your stuff man!’ can be tarnished in many more ways than simply the commercial… most notably I would suggest is the sickly pursuance of personal politics. Let me use Nick Turpin as an example – for Nick’s a proactive, and talented chap who has kicked off both In-Public and Publication and is also a fine photographer in his own right – now this is a guy a streetie with ambition could do well to get in tight with… ie. “Love that pic Nick”, or “Couldn’t agree more Nick”. This phenomena of disingenuousness is most evident on the various street photography discussion threads where the ‘democracy’ of the net bobs vibrantly, awash with varying degrees of cow towing, gushing and sycophancy, often in direct proportion to a posters perceived position in the big picture pecking order. So I guess one needs to sift and nurture (and use less ‘p’ words so close together). Nick waxes lyrical about the private in-public forum, an exclusive sounding board open to a select band … so there you have it, the filtering has been done. However surely the Englishman’s piece is aimed at the whole street photography community and so here we are seeing beautifully polished pink lady apples sitting at odds with the Valencia oranges, deep down in the frosty crisper of tiered experience.
Secondly I would point out that people aren’t their jobs. I mean what if the photography director of the Tate spent his weekends walking the streets with much hope in his heart, nabbing the passing throng with a Leica … and yet the acquisitions policy he oversees from 9 to 5 can genuinely find no place for our genre - this stark differentiation between the professional and the personal is as paradoxically commonplace as is red dirt in the outback. For example, do you remember the happily married, right Reverend Jimmy Swagget – man of the slightly soiled cloth who picked up his pay cheque preaching absolute monogamy, whilst in complete contrast, during his out of office time, was off shagging street corner tail like some randy 22 year old south island sheep crutcher.
So I think it’s fairly pointless and intellectually quite rank to build an ‘us v them’ scenario. You can’t make people like you, and if an art institution doesn’t like a certain set of images – hey, that’s their prerogative. It’s silly to then push out the bottom lip and infer that because they’re not in the game, what would they know about it anyway. Driving a wedge, by way of delivering the emotive counter punch smacks of setting ones estuary crossings alight atop Bath, sans bathwater, recent offspring and a dog eared copy of Jane Austen’s ‘Sense and Sensibility’. For if this argument were followed through … can we assume that men have no hope of knowing anything about child birth, woman nothing about State of Origin rugby league, any of us diddly squat on the subject of dying… opinion is opinion and diversity in such things is immeasurably invaluable (i.e. it’s a good thing).
Secondly I would point out that people aren’t their jobs. I mean what if the photography director of the Tate spent his weekends walking the streets with much hope in his heart, nabbing the passing throng with a Leica … and yet the acquisitions policy he oversees from 9 to 5 can genuinely find no place for our genre - this stark differentiation between the professional and the personal is as paradoxically commonplace as is red dirt in the outback. For example, do you remember the happily married, right Reverend Jimmy Swagget – man of the slightly soiled cloth who picked up his pay cheque preaching absolute monogamy, whilst in complete contrast, during his out of office time, was off shagging street corner tail like some randy 22 year old south island sheep crutcher.
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| Jimmy Swaggert |
“I suspect they are not even aware of it but street photographers have already created a new model for defining success as a photographer, a model that is completely free from commercial concerns and a model that relies not on ‘experts’ who have never lifted a camera but on the real experts, their peers. The new model is, of course, Peer Review.” – Nick Turpin.
Let’s face it, attempting to measure success is about as pointless as scratching a mozzie bite. How could anyone seriously consider a gaggle of thumbs up mouse clicks to be any more legitimate a yard stick in determining the success of one’s work than the free market or even the ruddy verbosity of your friendly bus driver who loves to qualify all his visual arts appraisals with, “I dunno much about art mate; but your stuff’s f**kin good!” For keeping it all in-house never really works (look at North Korea ). A parochial generosity of spirit masks any hint of reality and the only true marker is to be found within.
If I take a photo and I grow to like it … then that is success.
I truly admire Nick Turpin’s drive. And yet in reading his piece, my mind became fixated on thoughts of disposal store Buddhism …and for some reason – chocolate Bavarian pie. Nobody loves a street photographer, excepting for another street photographer – so hop aboard the SS Internet and let’s all sail off the edge of the world together. Dr Nowhere Man’s advice would be to just relax, enjoy the journey, take ya 5 decent street pic’s each and every year, show them to everyone and no one alike – for it’ll ultimately lead where it’ll lead … and if you truly enjoy doing it – who the f**k cares where it leads anyway. Remember your destination is dust. It’s the love in the room that matters, not the hum of the adulation meter nor the tinny tone of the cash register ... but then I think I’m about 87% in agreement with Nick on that point, mmmm, probably timefor another tumbler of grape...
Click here for Nick Turpins, "Photography, Commerce and Success"
Click here for Nick Turpins, "Photography, Commerce and Success"
SP on SP … sexual perversion and street photography.
6th January, 2011.
| Succumbing ever so often to the suggestive city-scape Photograph - Andrew Stark |
I guess you could describe me as having being a tad hot and bothered the other evening when in an act of abject idleness I flicked through Andrew Stark’s largely unreadable tome … Escaping Into Life: a psycho study of the contemporary street photographer (yeah I know, this is getting ridiculously schizoid). I’d never actually gotten past the opening chapters of the book before this particularly barren, latish hour and had kind of assumed that the guy’s research was both flimsy and benignly dry. I was spot on with the former, however became quite outraged as I read the following scandalous slight on all clean living: happily monogamous, church going, Little House on the Prairie following sidewalk enthusiasts. – And I quote …
“So maybe, just perhaps street photographers are not as humbly humanitarian as we so regularly make out. Rather, chasing the unsuspecting; partaking in a covert form of grubby pseudo stalking, feverishly driven toward a shutter released, voyeuristic climax. Images taken free of authority: a clearly outrageous violation of foreign physicality. We thrust relentlessly the cold, clinical, calibrated lens: that rock hard metaphorical extension of longing into the personal space of our randomly selected prey. The pursuit is endless. A tenuous conduit to genuine connection: a longing which can never be fully quenched…
And let’s face it; everything in life ultimately leads back to sex.
So why not street photography?
Our planetary path is littered by the hedonistic refuse of ‘the act’, both real and simulated. Those not having sex are certainly thinking about it … and those not thinking about it are either fibbing through jagged incisors, or are stuck home watching Oprah as she lays it on with a widelux trowel. So given the premise that,
“Everything in life, ultimately leads back to sex”. - Andrew Stark (3 sentences ago)
Then yes, street photography may well be a subtle, slightly perverted form of self abuse. Freudian analysis would suggest a submissive sexual role is being assumed. A small, non threatening tool used in a wholly non controlling, almost benign manner. Are we not simply waiting to be beaten by a dominatrixian public? For in much the same way as neighborhood joggers have been shown to huff and puff on the semi orgasmic endorphin high; street photographers are wandering big city streets raising the Leica to the eye whenever they feel the highly charged urge to be caught; to be shamed, and ultimately to be punished. And to further intensify this self flagellatory performance, a small 35mm souvenir is garnered from each encounter, held up as the sole purpose of a lascivious and highly camouflaged craft. “
He’s dead set calling us a bunch of randy bunny boilers.
I was cranky.
I mean as if street photographers aren’t already having a hard enough time in the perception stakes, we certainly don’t need scurrilous claptrap leaking from within our own traditionally meek and mild ranks.
I mean as if street photographers aren’t already having a hard enough time in the perception stakes, we certainly don’t need scurrilous claptrap leaking from within our own traditionally meek and mild ranks.
And with perspiration dripping profusely from a painfully enlarged Indignant Gland, I jumped swiftly onto the electro mail super highway and fired off a terse – Please Explain … using the very latest in Truly Toxic Font Types, the clipped bluey, Pauline Hansen Extra Bold.
Within hours of my spleen venting, a cryptic response was forthcoming, it read –
“Ha ha, Nowhere Man please keep your pants on and stop being so obviously overt. Let me answer your concerns by highlighting the work of the philosopher and writer Nigel Warburton, who on his excellent blog “Art & Allusion” refers to Freuds “The Interpretation of Dreams” At one point in his treatise, the master psychologist (Freud) describes a young agoraphobic woman who dreams of walking in the street wearing a straw hat. This young lass feels that the buffed and tanned local tri-athlete she passes in the street cannot possibly harm her despite the fulsome quiver and aggressive leer radiating his most manly persona. Now this basic, plot based recount is the manifest context of her dream. However Freud explains that a sub text or latent content flows like hot lava below - a dream within a dream if you will - that screams of sexual temptation; her straw hat a phallicly symbolic accoutrement that protects her magically from herself. Freud concludes their session amusingly by informing the woman that if she had in fact a husband or a casual suitor with such splendid genitals she need fear nothing from heavily perspiring tri-athletes … adding with a wink, "would you perhaps care to discuss the matter further over coffee and cake".
Now Mr Nowhere Man, all I’m suggesting in drawing your attention to this somewhat convoluted analogy is that by swapping a straw hat for a rangefinder, factoring in the Cartesian difficulty with differentiating dreams from reality and walla-whoooska … triathletes, genitals, reciprocity failure – it’s all there buddy”
Lounging back into the wonky Jason Recliner I found my anger had dissipated somewhat, oozing down to a cool, sandy point somewhere off and beyond Terrigal Beach . It was 2AM and all the sane people were asleep. My girlfriend’s cerise coloured slipperettes warmed my oft cramped arches as I sipped on herbal and nibbled the neediest corner of an Iced Vovovian treat. Staring wistfully up at mosaically fashioned walls within my cramped and secret subterranean shelter, their endless patchwork of glossy 6x4s revealing darkly – the ongoing and clandestine series, “Schoolgirls Who Sit in the Park - Shot Surreptitiously from the Hip”.
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| OK, I'm not even touching this one. Photograph - Andrew Stark |
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| A straightened elbow and a cocked wrist are all that seperate shooting from the hip and all out 'upskirting'. Photograph - Andrew Stark |
For as unsavoury as the tone had become,
I reasoned ...
perhaps the guy had a point.
“The words of the prophets are written on the subway walls, and tenement halls, and whispered in the sound of silence”
- Paul Simon
The Wynyard Grizzle…..Merry Christmas to All
23rd December,2010.
Tis the season to be jolly and jovial and …
Well anyway, I was out photographing in the city yesterday, just up from the Wynyard ramp when the following exchange took place between –
Me –
the fun loving,
ever smiling Nowhere Man (NM)
the fun loving,
ever smiling Nowhere Man (NM)
&
He –
the podgy thirtysomething
with the fulsome monobrow (PM).
the podgy thirtysomething
with the fulsome monobrow (PM).
Picture if you will - a modern day cave man standing near a curved wall, in front of which a steady stream of seemingly placid Sydneysiders flow back and forth like the frothy and usually quite wet, Bondi tide.
PM … (using a joltingly aggressive tone)
Why ya takin pitchers of me ???
NM… (squinting toward the annoyance before using a condescending tone)
I’m not mate. I’m taking photo’s of the city…
Now being in the city as you are, who knows you may
well feature in the odd picture or two …
PM … Stop takin me pitcher!
NM… You’re not listening pal – I’m not. I don’t even know you.
PM… (momentarily glancing behind)
What’s so f**kin interestin bout that wall anyhow???
NM…Mate. Who the hell are you? I ain’t discussing my
wall fetish with you – why should I?
PM…Stop takin pitchers of me, freak… or I’ll f**kin bash ya!
NM…Why so paranoid pal? You some sort of fugitive or something?
Hey, maybe I should be takin your pitcher
(pitcher pronounced as if by a freckle faced eight year old with dodgy front teeth)
PM… (striding forth he brushes past the photographer, delivering a half hearted shoulder check, mumbling)
F**kwit!
(before continuing on down George St, toward Wynyard)
Tis the season to be jolly and jovial: the season of earnest reflection; good will to all men, women, children and of course - furry marsupials.
May I take this opportunity to wish all my fellow street photographers and those who stumble upon this blog - a very Merry Christmas…and let me share a pertinent little ditty by the brilliant Aussie singer songwriter Tim Minchin by way of magically crystallizing the occasion
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